Vast plain of dark jade, flaked and ground:
the undulating bay.
Whales quit this place.
Sounds made by seals
drowned out: clatter of flatware.
As insular as Manhattan,
these iron-jawed amazons who lunch.
How I love them, and hope
their sexy, sketchy boyfriends
don't tell on us.
Conscience as a burlesque girl,
her stage name something cruel,
like Charity, or worse. Curse
her lazy routine,
the misandrist, tit-grabbing scene.
Old men in the audience zip
their flies. Enough of her lies, her lip.
Sunday, October 28, 2012
The Manzanita
Rippling at his feet, running due West,
it ends at sky's edge: a road of molten gold.
Violet-gowned Dusk drags her hem
over coals glowing wordless. Old
vellum and blackberry ink. Horse trail stink.
Piss in the sand. Rocks are the gods
El Vaquero now propitiates. To wind, linked
by chapped lips -- dry kisses deserts broad
and crawling with fresh pagan souls for Christ.
They climb mounds and trees like fire ants.
Their women are too free. The Padre might
pray, invoke the rod, or forbid dance.
Little red-skinned apple, sweet girl, twists
her wood-hard wrist. White bells sway in mist.
it ends at sky's edge: a road of molten gold.
Violet-gowned Dusk drags her hem
over coals glowing wordless. Old
vellum and blackberry ink. Horse trail stink.
Piss in the sand. Rocks are the gods
El Vaquero now propitiates. To wind, linked
by chapped lips -- dry kisses deserts broad
and crawling with fresh pagan souls for Christ.
They climb mounds and trees like fire ants.
Their women are too free. The Padre might
pray, invoke the rod, or forbid dance.
Little red-skinned apple, sweet girl, twists
her wood-hard wrist. White bells sway in mist.
Kaji Meiko
Broken open, the song
draws sparrows to ground.
Her voice waltzes among
whispers: grass gossips 'round
fine, white ankles. Temple
gate, a frame, sets off
laughing eyebrows. Dimpled
smile -- the music stops.
draws sparrows to ground.
Her voice waltzes among
whispers: grass gossips 'round
fine, white ankles. Temple
gate, a frame, sets off
laughing eyebrows. Dimpled
smile -- the music stops.
Wednesday, October 24, 2012
Seventeen
Butter-yellow stucco
glows gold. Sunlight shatters
over the western wall.
There the eucalyptus,
eighty feet tall, drops seeds
fragrant as rainforests
in Australia. Shocked, she
conceived of life as a
sexually transmitted
disease ending in death.
Carve a heart: the cement
is still wet. Initials
inscribed therein remind
us of a school long closed.
glows gold. Sunlight shatters
over the western wall.
There the eucalyptus,
eighty feet tall, drops seeds
fragrant as rainforests
in Australia. Shocked, she
conceived of life as a
sexually transmitted
disease ending in death.
Carve a heart: the cement
is still wet. Initials
inscribed therein remind
us of a school long closed.
Twenty-six
Every happy hour, she pulls a sour
face. She's stoned, procrastinates.
Dad wants grandbabies. When
will you slow down, fondle
the brown-edged scentless roses
you found in our box of wedding things?
What happened to that boy, the shy one
who worked in accounting? Still in
that converted Victorian parlor,
all of your dresses on the floor?
Dental insurance and you don't
hate us anymore, I think.
Maybe you should drink
to the lucky ones who've come home
draped in flags, bagged and tagged?
face. She's stoned, procrastinates.
Dad wants grandbabies. When
will you slow down, fondle
the brown-edged scentless roses
you found in our box of wedding things?
What happened to that boy, the shy one
who worked in accounting? Still in
that converted Victorian parlor,
all of your dresses on the floor?
Dental insurance and you don't
hate us anymore, I think.
Maybe you should drink
to the lucky ones who've come home
draped in flags, bagged and tagged?
Thirty-five
Prohibitive as the concrete meridian
where the onramp meets
the buckled, sagging freeway.
The thought of sex is as distant
as the Honda Civic, tan, up ahead;
it weaves from lane to lane.
You should have a little house in Amador
by now -- such as the one to which
your friends invite you sometimes:
microbrews in the hot tub,
off-color jokes under sugar pines.
Stars wheel above, but you
have kind of fallen out of love
with astrology. A little girl
stares from a passing truck.
A baby, not an upbraiding.
where the onramp meets
the buckled, sagging freeway.
The thought of sex is as distant
as the Honda Civic, tan, up ahead;
it weaves from lane to lane.
You should have a little house in Amador
by now -- such as the one to which
your friends invite you sometimes:
microbrews in the hot tub,
off-color jokes under sugar pines.
Stars wheel above, but you
have kind of fallen out of love
with astrology. A little girl
stares from a passing truck.
A baby, not an upbraiding.
A New Nature
Lined blood-red, fanged
Relentless
Angling inward --
ever in
The questing maw
Hot, clean breath
More horrible
than the smell
of dead things. Freeze,
flee or front:
nothing taught us
on new moons
at cave thresholds
prepared us
for predators
who feed us
Relentless
Angling inward --
ever in
The questing maw
Hot, clean breath
More horrible
than the smell
of dead things. Freeze,
flee or front:
nothing taught us
on new moons
at cave thresholds
prepared us
for predators
who feed us
Monday, October 22, 2012
Edda Doggerel
A Copenhagen night, drunk.
Reeling under sodium lights.
Tame shadows stain the hand -brushed lawn.
When the feral white sun
first strikes the chilly, brooding walls
of Vestre Prison, at dawn
We will set sail for an abbey
out West. We'll raid the monastic
boys, the ones in glasses.
We'll have dope and cash in our vests,
lure them with booze and sex, then
leave them alone to regret having met:
Two Vikings on a Quest.
Reeling under sodium lights.
Tame shadows stain the hand -brushed lawn.
When the feral white sun
first strikes the chilly, brooding walls
of Vestre Prison, at dawn
We will set sail for an abbey
out West. We'll raid the monastic
boys, the ones in glasses.
We'll have dope and cash in our vests,
lure them with booze and sex, then
leave them alone to regret having met:
Two Vikings on a Quest.
North
Petals wet and dark
frame distant thunder
Shiver with stark awe.
Waving: shaded ferns
Theirs is the terror
of the childless, spurned
by a sun hidden
in ice-cold wells, where
weeping amnesia,
leaves open blank mouths.
frame distant thunder
Shiver with stark awe.
Waving: shaded ferns
Theirs is the terror
of the childless, spurned
by a sun hidden
in ice-cold wells, where
weeping amnesia,
leaves open blank mouths.
Hoarse
Gray morning
diamond-starred
shadows warn
Corners edged
with dead brick
loom ahead
Pluto's hulk
overhangs
mourners led
by ravens.
Lullaby
black, sodden
petitions
to Hell file
singly by
No pity,
merely shifts
in the air.
diamond-starred
shadows warn
Corners edged
with dead brick
loom ahead
Pluto's hulk
overhangs
mourners led
by ravens.
Lullaby
black, sodden
petitions
to Hell file
singly by
No pity,
merely shifts
in the air.
Friday, October 19, 2012
51/50
Did I rock the box,
most racuous coffin in Colma?
Kicking it haute,
or were the planks
Haste slapped to
trendy and green?
Assistance is awkward
whether persisting or in
Le petit morte, squeezed
with a blink,
A hair-trigger smirk,
a wallet no one wanted fat.
Beat it, cat! The death coach
is here to snatch
Victory from defeat --
Hail Mary!
most racuous coffin in Colma?
Kicking it haute,
or were the planks
Haste slapped to
trendy and green?
Assistance is awkward
whether persisting or in
Le petit morte, squeezed
with a blink,
A hair-trigger smirk,
a wallet no one wanted fat.
Beat it, cat! The death coach
is here to snatch
Victory from defeat --
Hail Mary!
Afterglow
Eyes narrowed
satisfaction
feline
Or reptilian --
an asp. Florid
carmine
Tongue tip to upper
lip. Leg curled,
folded
in and over, post-coital.
The glow, roseate, wanes,
lingers.
satisfaction
feline
Or reptilian --
an asp. Florid
carmine
Tongue tip to upper
lip. Leg curled,
folded
in and over, post-coital.
The glow, roseate, wanes,
lingers.
Auspicious
Fat baby naked on a slab.
Blue-veined marble
From Rome's fabled suburbs --
from there, or the Lincoln linoleum store.
Lil fits the bill, stubs
fag after fag out in the bronzed
shoes. Stillborn siblings
barefoot in the hedge.
Whispers constantly plucked
off the barbs edging a holly leaf.
Friends known only to you,
a king, a warrior, and a Jew.
Blue-veined marble
From Rome's fabled suburbs --
from there, or the Lincoln linoleum store.
Lil fits the bill, stubs
fag after fag out in the bronzed
shoes. Stillborn siblings
barefoot in the hedge.
Whispers constantly plucked
off the barbs edging a holly leaf.
Friends known only to you,
a king, a warrior, and a Jew.
Hercules
Actinic spark
blue from under
the vast glass pane
Microscope slide
seen obliquely.
Mirror I might
Spy him, a Greek
by way of France --
physicist, my
Lover one night.
Twice a year, scenes
from that salt-skinned
Tryst, nuclear
force, my lips, his --
neutrino laugh.
blue from under
the vast glass pane
Microscope slide
seen obliquely.
Mirror I might
Spy him, a Greek
by way of France --
physicist, my
Lover one night.
Twice a year, scenes
from that salt-skinned
Tryst, nuclear
force, my lips, his --
neutrino laugh.
Unfurled
Scroll marked on light hide
one thousand feet wide
spreads south
from the cliff base (a lover's fall
just past my toes.)
The scroll is time's map
always rewriting itself
as far as the borders and roads
finally clot up to a line,
a dried blood-brown line
Bed for a heavy-breasted sky
overarching with jet planes and stars:
tattoos plastered on the left side,
a limber Egyptian goddess,
her face bent down to treetops.
Exhale green salt, living gales,
and vast, metallic thoughts
into outstretched gray-white arms.
Those arms beckon the setting sun
to stop for a moment, to sing.
one thousand feet wide
spreads south
from the cliff base (a lover's fall
just past my toes.)
The scroll is time's map
always rewriting itself
as far as the borders and roads
finally clot up to a line,
a dried blood-brown line
Bed for a heavy-breasted sky
overarching with jet planes and stars:
tattoos plastered on the left side,
a limber Egyptian goddess,
her face bent down to treetops.
Exhale green salt, living gales,
and vast, metallic thoughts
into outstretched gray-white arms.
Those arms beckon the setting sun
to stop for a moment, to sing.
Give or Take
Cordite smoke, gun oil
inchoate howl,
intramuscular
throbbing outward
from bruised
femur -- radiate.
Touch is blessed and damned.
Asked point blank
if I'd like another
I must remind myself
it is a question
of Western etiquette.
inchoate howl,
intramuscular
throbbing outward
from bruised
femur -- radiate.
Touch is blessed and damned.
Asked point blank
if I'd like another
I must remind myself
it is a question
of Western etiquette.
The Buried Return
Strange shapes
solidify at sight's end.
Pain is a promise,
the starlit desert song
of despair. There is a plan,
choreographed cruel blue
behind that vast red
rage, empty and unanchored.
My pride before me, a tin shield.
The mind shredding vacuum
dismantles me
unanesthetized.
solidify at sight's end.
Pain is a promise,
the starlit desert song
of despair. There is a plan,
choreographed cruel blue
behind that vast red
rage, empty and unanchored.
My pride before me, a tin shield.
The mind shredding vacuum
dismantles me
unanesthetized.
Distrans
Sweltering, we melt
in a huge box
lousy with clockwork.
Interminable cacaphony
of cogs and wheels --
futile machine.
Slightly above the din of it,
distant voices dance
closer and closer to birth.
in a huge box
lousy with clockwork.
Interminable cacaphony
of cogs and wheels --
futile machine.
Slightly above the din of it,
distant voices dance
closer and closer to birth.
Office
Homicide: a cardboard box
brims with yellow crime scene notes.
The box is marked with a Sharpie
and mumbles when alone.
Perp scrubbed the blood
away in '82, the subsequent
shrine of flowers, teddy bears
and snapshots now unremembered.
Golden shield on the desk nearby,
Black Label in the bottom drawer.
The skyline seen out this window
is a shadowed casket of souls like jewels.
brims with yellow crime scene notes.
The box is marked with a Sharpie
and mumbles when alone.
Perp scrubbed the blood
away in '82, the subsequent
shrine of flowers, teddy bears
and snapshots now unremembered.
Golden shield on the desk nearby,
Black Label in the bottom drawer.
The skyline seen out this window
is a shadowed casket of souls like jewels.
Tenderloin to Mission
Stern pavement, the hard
flat slap, footstep of a Converse high top.
Smattering of voices,
ghetto plainsong. Old men
sit on milk crates and play
chess. They gossip, a feminine edge.
A pigeon scurries to the curb,
pecks at crumbs
spread by a 'do rag-sporting mama-san.
She trucks her bottles and cans
through this town scoured of ghosts,
where history holds its breath in unseen rooms
or sometimes waves from rooftops
to an unfortunate few.
flat slap, footstep of a Converse high top.
Smattering of voices,
ghetto plainsong. Old men
sit on milk crates and play
chess. They gossip, a feminine edge.
A pigeon scurries to the curb,
pecks at crumbs
spread by a 'do rag-sporting mama-san.
She trucks her bottles and cans
through this town scoured of ghosts,
where history holds its breath in unseen rooms
or sometimes waves from rooftops
to an unfortunate few.
Monday, October 15, 2012
Rags and Boxes
The sky these days seems small,
a coffin lid from the inside --
washed blue muslin lining. This town,
a scrimshaw drawn on ivory
the hue of stale dishwater. Men,
beautiful men, once thronged these streets.
I had been one of them. Sudden,
the way today occurred, when
I realized I know what's under
every stone -- stones whose creases echo
the lines framing my eyes. Lily Marlene
on my headphones. An old dog sighs.
a coffin lid from the inside --
washed blue muslin lining. This town,
a scrimshaw drawn on ivory
the hue of stale dishwater. Men,
beautiful men, once thronged these streets.
I had been one of them. Sudden,
the way today occurred, when
I realized I know what's under
every stone -- stones whose creases echo
the lines framing my eyes. Lily Marlene
on my headphones. An old dog sighs.
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